First Love, Last Rites

First Love Last Rites The fortieth anniversary edition of McEwan s first published work now with an introduction from the authorForty years on from first publication these stories display McEwan s dazzling early talent T

  • Title: First Love, Last Rites
  • Author: Ian McEwan
  • ISBN: 9780099754817
  • Page: 180
  • Format: Paperback
  • The fortieth anniversary edition of McEwan s first published work, now with an introduction from the authorForty years on from first publication, these stories display McEwan s dazzling early talent Taut, brooding and densely atmospheric, they are stories of sex and loneliness, adolescence and incest, love and murder, and they linger in the mind long after they are finishThe fortieth anniversary edition of McEwan s first published work, now with an introduction from the authorForty years on from first publication, these stories display McEwan s dazzling early talent Taut, brooding and densely atmospheric, they are stories of sex and loneliness, adolescence and incest, love and murder, and they linger in the mind long after they are finished This special edition includes a piece by the author on how he came to write First Love, Last Rites and rare archive material including manuscript pages, early publicity material and the cover of the first edition.

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      Published :2019-01-23T06:11:50+00:00

    1 thought on “First Love, Last Rites”

    1. Ian McEwan, you are one sick fuck. Sick sick sick sick sick sick siiiiiiiiick. But, man you can write. The gorgeous sparse prose – no words are wasted with you. I have come to expect the warped characters you write about, yet you still manage to surprise me. The way you get into their headswow.This was me reading your collection of stories (most of this happened inside my head, but some of it happened audibly):read read read Sigh…beautiful.read read read Yeah.read read read Goddamn it. [...]

    2. Ian, that Ian. This is his first published work - a collection of perverse and sinister short fiction. This isn't the Ian McEwan of Atonement or even Saturday. This is the young Ian McEwan who's just starting out, and who would begin with works such as The Cement Garden and The Comfort of Strangers - dark, horrific and nightmarish novels. Published all the way back in 1975, these stories are set in some latter-day urban England filled with waste, pus, smog and rot and populated with walking, cra [...]

    3. My relationship with Ian McEwan did not get off to a good start. I was an 18-year-old student at Cambridge, and a friend came to visit over the weekend. He had a copy of this book, which he praised extravagantly. Out of curiosity I read the first story. I really didn't like it. That evening, he went out to visit another person he knew in town, and came back late and much the worse for wear, after having sampled the beer in three or four pubs. Somewhere around 2 am, I was woken by sounds of vomit [...]

    4. Yeuch. These are, in the main, frightful stories which leave a really horrible taste in the mouth. Thakfully I have read enough of his other stuff to know that I quite like some of it. When he wrote these he was one weird man. There is murder, incestuous rape, child abuse by a neighbour in one story, an aunt in another and a mother in another. These are foul stories with, to my mind, no real value other than showing how shocking McEwan thought he could be. They do not address issues, they simply [...]

    5. Though I've been a McEwan fan since I first read Enduring Love, I've long avoided reading his debut collection of short stories. They've turned out to be everything I'd heard about them: perverse, disgusting, creepy, twisted, dark and undeniably amazing.I don't want to dwell on any individual story, or give all of the surprises away, but I'll try to explain why I liked them regardless of the content.The very first story, Homemade, I really still don't like. It begins as a story of two adolescent [...]

    6. After hearing Ian McEwan's first book of short stories described as being "taut, brooding, and densely atmospheric," I think I got a somewhat skewed vision of what these stories would be. I was expecting tales set in London that oozed a gothic atmosphere. Instead, while the stories contain quite serious and deathly situations, they are written in a more light-hearted tone that is closer to Nabokov than Poe. Passages of nasty violence and tawdry encounters are dealt with in such a casual manner t [...]

    7. An early collection of short stories, all but one told in the first person, many of them teenagers or young men, yet their voices invariably ring true. Some events are shocking and depraved, but even in those stories, you get an uncomfortable but plausible and powerful insight into the mind of the perpetrator. Although you could easily read the book in one sitting, it’s probably best to read one story at a time, interspersed with other things, as many will leave a nasty taste in your metaphori [...]

    8. ★★★★☆ (4/5)A collection of disturbing albeit interesting stories. We traverse through the minds of a pedophile, a murderer, a child whose sense of identity has convoluted, a couple experiencing alienation, a disgruntled husband and many more. The stories are unsettling, but the beautifully vivid and emphatic prose keeps the reader's curiosity elevated. Solid Geometry• Your sentimental Buddhism, this junk-shop mysticism, joss-stick therapy, magazine astrology none of it is yours, you [...]

    9. I hate to admit that I liked this one, because it was so. fucked. up. Completely. Debut collection here from the preeminent Ian McEwan. Had this been my first read of his, I will be honest, I may never have tried another one, because it is so dark. But the writing, as always, exquisite. Simple paragraphs that are, well, not simple. Vignettes that seemingly highlight, lifting themselves off the page. Anecdotes that are mere tangents in the short story somehow enlighten a reader with the fascinati [...]

    10. The problem with compiling stories like these is that the themes lose their confrontational weight after about three stories. After that, the reader starts to expect a final act curve ball, which of course gravely undermines their impact. The inclusion of (I hazard the term 'lighter') stories like 'Last Day of Summer' and 'Cocker at the Theatre' adds balance, and 'Solid Geometry' is similarly great, though a little ill-fitting.It's fortunate then that the force of McEwan's prose (even here in th [...]

    11. FolgoranteNon ho altri aggettivi per descrivere una delle più belle raccolte di racconti che abbia mai sfogliato.Benché il mio primo approccio con l'autore fosse stato segnato dalla delusione, ho preteso di rifarmi e sono stata più che ripagata.L'esplorazione del primo amore, il sesso consumato come rito iniziatico, il desiderio perturbante dell'altro sono solo alcuni dei temi che McEwan pone al centro di una narrazione ora essenziale, costruita su flash folgoranti, ora arricchita da una ling [...]

    12. Perversion is one of those things we don't talk of, yet is inherent in us all. Some embrace it, others are in complete denial and others still nurture it in the darkness while pretending to the world that there is only light. The beauty with which McEwan writes about perversion satisfies my curious side. The language and storytelling is excellent. Must read for those who believe that one's own perversion and perhaps the macabre can be spoken well by another.

    13. I didn't realise this collection of short stories had been re-published in a collection ('The Short Stories') which I had already read. However it was 2010 when I read this, and hence I'd forgotten almost everything I'd consumed back then, except that it was read on the train home from work. It was a pleasure, though not always pleasant, to re-read these tales.It's a strange mix, themes of sex and adolescent confusion recurring repeatedly, and though this short format is ideal for exploring stra [...]

    14. Compared to his later Man Booker Prize nominated works, Ian McEwan's earliest efforts are harsh, to say the least. Perverse and violent, the early McEwan had more in common with Stephen King than Julian Barnes, Kazuo Ishiguro, or A.S. Byatt. In fact, I'm not sure I could tell the difference between an early McEwan story and your typical King story. One could argue that McEwan is more polished than King, also more psychological than paranormal, but these differences would be measured in small deg [...]

    15. I definitely have a love-hate type relationship with Ian McEwan. This collection of short stories veers closer to the hate end of the see-saw. The content isn't the most savoury, dealing with a variety of unpleasant acts and people (think rape, incest, paedophilia, child murder and abuse, neglectful parents, often in the same story). However, his writing is lovely, sparse and clearly defined as usual. He also manages to grasp the underlying humanity (and often mundanity) of the troubled people w [...]

    16. First Love, Last Rites is powerful. The reader experiences a lifetime of personal trauma through a variety of characters which are remarkably real and decisively original. Permeating through each story is a clammy, understated fear - seen, for example, in the sentimental end to Summer and, more obviously, in the advantages taken by adults over those less able or aware of the norm. This strikes in the reader, who endures some heart-rending scenes of depravity, a terror that is difficult to shake, [...]

    17. This is a very disturbing collection. Rape, incest, forbidden love, juvenile antics, etc. It's not gross per se, Ian has this thing where he writes about potentially gross endings but he prepares you for it. You kinda know what's coming up next but you can't not flip the pages, you want to know. He's a master craftsman of story telling and subject matter aside, these are some very impressive stories. Mildly Disturbing though it is, this is an impressive collection.

    18. Difficult to use one rating for complex literature. subject matter, dark and troubling, but the writing is amazing.

    19. Ian McEwan has a way of making each sentence feel more real to you than your own lived experience. More tangible than the couch you sit on, more emotionally meaningful than your last interaction. To me, this is what makes his books both affecting and important--the best of what art can do--but also, at times, deeply problematic. Because you are intertwined with his stories, woven into the fabric of not just the sensibility, but the plot itself, you are also complicit in them. And this works extr [...]

    20. At best, there are one and a half pieces in here that could have been interesting if they'd been presented in other company, but the bulk of FLLR is both disappointing and nasty – nasty in the way that writers like Martin Amis are nasty, that stilted suburbanity, underlying misogyny, and racism, and petulant desire to shock in that very 1970s middle class way. McEwan can write a sentence, and that's part of the problem – the writing itself, for the most part, but not always, flows well enoug [...]

    21. The teaser on the back cover says " as terrifying as Stephen King"Uh, no. Not at all.Gruesome? A little. Perverted? Yeah. Sheer horror? Hmm, missed that. A "splendid magician of fear"? Whoops, missed that one too. McEwan is morbid, I'll grant you that, but macabre? Nope. Maybe I'm too jaded by what passes for entertainment these days. The prose is okay, but "crafted with a lyricism and intensity that compel us to confront our secret kinship with the horrifying"? It failed to do that for me. Perh [...]

    22. Yes yes it was well written stuff I suppose but really I found myself losing interest quite rapidly towards the end. What started out feeling like a more verbose version of early Martin Amis quickly turned in to something quite dull I suppose. The final two stories felt like they would last FOREVER.The writing of these stories of everyday people doing everyday things before the perverse or shocking (not in the sense that it was a surprise) twist was a novel idea that kept me reading and interest [...]

    23. This short story collection was not at all what I'd expected from Ian McEwan, but then, this is some of his earliest work. Seven out of eight of these short tales focus on disparate male characters, and I found all of them disturbing. Actually, I had a hard time getting past the first story, Homemade. I found it upsetting and repulsive. The next story, Solid Geometry, had a particularly gross element about it, Butterflies was sad and scary, and I'm afraid I did not know what to make of First Lov [...]

    24. First Love, Last Rites is the first published work of Ian McEwan and the first collection of his short stories to win the Somerset Maugham award. I must say I prefer the work of the more mature McEwan. This collection of stories is extremely disturbing and I had to take a break after the third story (a first for me for a McEwan book). Why can't his characters be permitted to enjoy a perfect summer? I could barely stifle a scream of revulsion at the close of many of the stories. In them you find [...]

    25. Absolutely not a pick-me-up read, First Love, Last Rites is a collection of some of McEwan's earliest works. He dwells here mostly on the morbid and the macabre and the disturbing, and for a developing author, doesn't do too badly on pulling it off—one or two of the stories are genuinely effective. He often tries too hard for a Shocking Denouement, however, which for me had the opposite effect to that which he no doubt intended (and I found his Oh So Daring explorations of incest and child abu [...]

    26. I don't know why I've waited 30 years to read this, when it's been sitting on my shelves and I know I love Ian McEwan's early writing, and I did love this. It's very dark and often gruesome, but that's what I like - that many of the stories we see from the evil-character's mind. Not that even the evil-character is only one-dimensional, McEwan's writing is too clever for that. I had some favourites: Solid geometry, Last day of summer, and First love, last rites. My least favourite was the last (w [...]

    27. This reading was shocking, the stories are dark and I hated! Between the stories and yourself there was not an author or anybody else; just yourself and the stories! He was just an eye to show you a picture; nothing more. Stories finished as they are, he did not accused or punished any one; so you are not sutisfied end of the day! They are dark but as a literature it is very good.

    28. Ian McEwan a jeho prvotina. Ian McEwan a panoptikum nejruznejsich postav. Ian McEwan a rada tabuizovanych temat. Naprosto me to dostalo. Nemela jsem pocit, ze se autor snazi sokovat, vsechno plynulo strasne prirozene. Popis je syrovy, dialogy strucne a vystizne. Je to tak narusene, az je to skvele!

    29. If you can handle shocking, twisted plots about the dark side of human nature and ordinary people's daily life. If you don't mind reading at-times offensive stories and characters, you have to read this one!

    30. Stories are dark and moody. I could often feel some Charles Bukowski's influences though the tales are told with quite original bleakness.

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